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<channel>
	<title>Joana Lourenço</title>
	<link>https://lourencojoana.com</link>
	<description>Joana Lourenço</description>
	<pubDate>Sun, 26 Apr 2026 17:52:38 +0000</pubDate>
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		<title>Anthropological Bunker</title>
				
		<link>https://lourencojoana.com/Anthropological-Bunker</link>

		<pubDate>Fri, 06 Dec 2024 15:54:27 +0000</pubDate>

		<dc:creator>Joana Lourenço</dc:creator>

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		<description>Joana Lourenço
	About
	


	Anthropological Bunker
	
	
2026
16 mm film transferred to digital, transferred to 16 mm film&#38;nbsp; 
Color, optical sound, 6’55”, loop&#38;nbsp; 
4:3, aluminum sheet

After three months of an artist residency supported by FLAD, the film emerges from a stay at a laboratory in New York where the practice of working with celluloid endures.
The film explores nostalgia through the relationship between different technologies. A computer-generated voice reproduces the performativity and nostalgia of a discourse about 16 mm film, speaking of a technology that existed before its own creation.
Nostalgia can only exist through a relationship of distance between past and present. A nostalgic image is, in this sense, a double exposure, as the author Svetlana Boym suggests: the moment we try to condense these two times into a single image, it becomes like an overexposed photograph.











Collective exhibition “Arqueologia Remix”, curated by Filipa da Rocha Nunes
Galeria Cristina Guerra
Artigo:&#38;nbsp;ARQUEOLOGIA REMIX: On Time and Its Uncertainty

Photography: Vasco Stocker Vilhena












	
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		<title>Shapes of Villainy</title>
				
		<link>https://lourencojoana.com/Shapes-of-Villainy</link>

		<pubDate>Tue, 14 Apr 2026 15:59:28 +0000</pubDate>

		<dc:creator>Joana Lourenço</dc:creator>

		<guid isPermaLink="true">https://lourencojoana.com/Shapes-of-Villainy</guid>

		<description>Shapes of Villainy
in progress
A compilation film of the entrances of the cinematic character of villains. The film treats these figures (usually associated with queer-coded gestures and sharp silhouettes) not as individual characters, but as a collective body of images, exposing how cinema constructs deviance through form, gesture and presence.




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		<title>The Hunger</title>
				
		<link>https://lourencojoana.com/The-Hunger</link>

		<pubDate>Fri, 06 Dec 2024 16:45:26 +0000</pubDate>

		<dc:creator>Joana Lourenço</dc:creator>

		<guid isPermaLink="true">https://lourencojoana.com/The-Hunger</guid>

		<description>Joana Lourenço
	
	
	

The Hunger
2024
HD Video, 8’. Color, sound.

At the invitation of Felipe Oliveira Baptista (FOB), Joana Lourenço (film) and João Pimenta Gomes (live sound performance) collaborate on the making of the film, presented as part of LEFEST. The film follows artist FOB as he draws at the Convento dos Capuchos.
The camera follows the movement of his line and gesture as he creates a new fresco across three slate panels arranged in the convent’s garden.
Exhibited at Leffest ‘24
	


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		<title>Correspondências</title>
				
		<link>https://lourencojoana.com/Correspondencias</link>

		<pubDate>Sun, 26 Apr 2026 17:52:38 +0000</pubDate>

		<dc:creator>Joana Lourenço</dc:creator>

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		<description>Joana Lourenço


	Correspondências (collective project)2024
16 mm film transferred to digital&#38;nbsp;B/W, sound, 1’30”, loop&#38;nbsp; 4:3
As part of an exchange between Laboratório da Cave, a Lisbon-based 16 mm film collective, and a Cuban sound collective, participants anonymously exchanged sound and image. This film responds to a randomly received soundtrack, filming the Neptune Fountain at Largo de D. Estefânia in a 360º rotation until the film runs out. The sculpture, fixed at the centre of the fountain, determines the movement intended for its contemplation.





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		<title>O Pomar</title>
				
		<link>https://lourencojoana.com/O-Pomar</link>

		<pubDate>Thu, 10 Mar 2022 15:13:47 +0000</pubDate>

		<dc:creator>Joana Lourenço</dc:creator>

		<guid isPermaLink="true">https://lourencojoana.com/O-Pomar</guid>

		<description>Joana Lourenço
	
	


	O Pomar

2024
The story takes place during late summer, in the western Portuguese countryside. A young girl works in the pear harvest, a family business. During the harvest week, an old friend, Carolina, arrives in the village to spend a few days on vacation with her friends. That evening, the girl catches them stealing pears from one of her father's orchards.
Directed by Ana Manana &#38;amp; Joana Lourenço
With Leonor Vasconcelos, Joana Petiz, Francisco Madureira, João Canijo e Anabela Brígida
Edited by Ian Capillé&#38;nbsp;
 
Funding Support:
Fundação GDA
Entre OlharesWith the support of:
Caldas da Rainha — Câmara Municipal
Bombarral — Câmara Municipal
ANP — Pêra Rocha
Centro Portugal Film Commission
Oeste Portugal








&#38;nbsp;
	
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		<title>Purga</title>
				
		<link>https://lourencojoana.com/Purga</link>

		<pubDate>Mon, 08 Jan 2024 22:55:03 +0000</pubDate>

		<dc:creator>Joana Lourenço</dc:creator>

		<guid isPermaLink="true">https://lourencojoana.com/Purga</guid>

		<description>Joana Lourenço
	
	


	Purga
(exposição colectiva)2022Vídeo 4:3, cor, som, loop 8’ 53’’ Projeção dupla de digitalização de vhsScreening of two videos of my divorced parents’s wedding day, filmmed by two different cameras at the same moment.&#38;nbsp;Exhibited in the apartment during the day the lease of two tenants (myself and the other artist) was coming to an end. 
@purga.x (instagram)


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		<title>Caravagyo</title>
				
		<link>https://lourencojoana.com/Caravagyo-1</link>

		<pubDate>Thu, 10 Mar 2022 15:13:48 +0000</pubDate>

		<dc:creator>Joana Lourenço</dc:creator>

		<guid isPermaLink="true">https://lourencojoana.com/Caravagyo-1</guid>

		<description>Joana Lourenço
	
	
	
Caravagyo2020
Directed by Ana Manana &#38;amp; Joana Lourenço 
With Beatriz Valleriani &#38;amp; Kamila Ferreira
 A documentary about a couple of Portuguese-Brazilian DJs who introduced alternative Brazilian funk into Lisbon’s nightlife. The documentary was filmed in spaces and contexts that no longer exist in the city. Beyond a portrait of a creative process, Caravagyo (film) is also a record of Lisbon, its agents, and its events.


					
				
			
		
	



	
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		<title>Homepage</title>
				
		<link>https://lourencojoana.com/Homepage</link>

		<pubDate>Thu, 10 Mar 2022 15:13:49 +0000</pubDate>

		<dc:creator>Joana Lourenço</dc:creator>

		<guid isPermaLink="true">https://lourencojoana.com/Homepage</guid>

		<description>
	


	

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		<title>Nav</title>
				
		<link>https://lourencojoana.com/Nav</link>

		<pubDate>Thu, 10 Mar 2022 15:13:49 +0000</pubDate>

		<dc:creator>Joana Lourenço</dc:creator>

		<guid isPermaLink="true">https://lourencojoana.com/Nav</guid>

		<description>
	Joana Lourenço


	About



	
Anthropological Bunker
Shapes of Villainy
The Hunger

Neptuno

O Pomar
Purga
Caravagyo
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		<title>About/Footer</title>
				
		<link>https://lourencojoana.com/About-Footer</link>

		<pubDate>Thu, 10 Mar 2022 15:11:45 +0000</pubDate>

		<dc:creator>Joana Lourenço</dc:creator>

		<guid isPermaLink="true">https://lourencojoana.com/About-Footer</guid>

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